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I didn't go to College. I left school as soon as I could. I wanted to be a rock musician and further education of any kind seemed pointless in achieving
that particular aim. So instead I joined a band and toured the clubs, pubs and toilets of this great island of ours. The only trouble was that by 1977 the musical landscape had
changed radically. The years of no social life, painstaking practice, discipline and commitment to pursuing the original had lost it's value overnight. What was laudable one minute,
was reviled the next. By the time the 'Sex Pistols and The Clash' were inspiring countless non-musicians to get out there and 'do it for themselves', I had joined 64 Spoons. A
band of talented young players, three classically trained, one ex National Youth Jazz Orchestra member and me. They say that success is largely down to timing. Well, we timed it
perfectly. We were the wrong band at the wrong time. We somehow survived for a number of years by working our arses off and attempting to make our musical vision more palatable. We
did this by making the whole thing theatrical. Ridiculous set pieces that involved various band members dressing up, coupled with an almost Dadaesque approach to audience
participation. We played our, at times, complex compositions with a punk like ferocity and made sure that the lyrics to the songs were consciously unpretentious. Indeed, they
contained a level of wit and imagery that would embarrass a 'Carry On' scriptwriter. There were musical and visual jokes aplenty. Three years in to our career and we were once
memorably described as 'Stravinsky meets The Baron Knights.' We had management, an agency; record company interest and we worked all the time. It just didn't go that one step
further. Some kind of bad luck always seemed to befall us, just when we looked like getting our big break. At some point something had to give. One weekend In May of 1980 that point
arrived. The venue was on the outskirts of town in an area that was obviously once a thriving working class community, but was now just a few terraced houses
surrounded by a bleak landscape of rubble, dust and broken bricks like some post nuclear Coronation Street. Set in the midst of all this was an old church building, which was
falling to pieces and was covered in graffiti. Above the large wooden doors was a hand painted sign that said 'The Tower Club'. We stood outside for a good ten minutes banging on
the door and yelling through the letterbox, but all to no avail. We decided to go into Oldham to get something to eat and come back to the club later. In a vain attempt to achieve
commercial acceptability, Lyndon and myself had had our hair severely cut and coloured, hoping that young girls in London streets would nudge each other excitedly at having just
spotted a couple of genuine pop stars. The waitresses at the Oldham Wimpy, who looked like the East German shot putting team, just giggled and made homophobic remarks as we ate.
Not surprisingly we got out of there sharpish and went back to the club and just waited. The rest of the band and crew went to the local pub, but Lyndon and myself felt that the
Wimpy Bar incident was enough humiliation for one day. So we sat in the 'good' van and listened to Radio 2 (it was the only station we could get). As the evening progressed we
heard the Eurovision Song Contest in its entirety and played spot the key change. Eventually, at about 10:30, the large, burly figure of the club's manager started to unlock the profusion of padlocks and dead locks of the Tower Clubs
door. So I got out of the van, told him who I was and held my hand out in friendly greeting. He ignored this gesture and said 'Where the bloody hell have you been?' 'We've been
right here, and have been for about six hours' I said pointing to my watch. He was neither pleased nor indeed remotely interested in any explanation. '12:00, that's what it says on
the contract. 12:00 until 2:00 that's the get in and soundcheck time. I don't live here you know. Ten bloody miles I had to drive to get here and I waited till 3:00.' He was pretty
irate. I tried to calm him down and told him about our broken van and the 40-mph top speed of our replacement. Simple maths then dictate that we would have had to leave London at
6:00 in the morning in order to arrive at 12:00. He'd just stopped listening by then and busied himself by wedging the doors open and moving signs onto the pavement. 'So, shall we
get the gear in now then?' I suggested. The street was as deserted, as it had been when we first arrived, then out of nowhere a solitary car pulled up and it's two occupants
got out and entered the club. 'Get the gear in now? People are coming in.' No amount of reasoning or pleading made any difference. As far as he was concerned we were a
typically arrogant band from London who thought we were doing him a favour by gracing the provinces with our presence. What we actually were was pissed off, bored and broke. We'd
been relying on the money from the Oldham gig to pay for the Mancunian Guest House that we'd booked before our trek to Carlisle the following morning. We drove to Manchester
in virtual silence. We drew lots as to who would sleep in the van and who would sleep in the guesthouse, as we only had enough cash for two rooms. Much to my surprise the
landlady took pity on us and let us all stay on condition that we send the money on later. We got up early the next day, as we were keen to get to Carlisle with plenty of time spare
in order to avoid the fiasco of the previous day. We eventually pulled into a quiet suburban cul de sac of semi-detached houses and piled out en masse. Our drunken host walks into his home and we follow,
passing three very bemused looking women sunbathing in the front garden. Elliot, our trusted soundman makes his way to the kitchen whilst the rest of us sit rather uncomfortably in
the living room. The man of the house regales us with tales of what might have been. He was something of a guitar whiz himself, apparently. Just in case we didn't believe him (we
didn't) He gets an old reel to reel tape machine from upstairs and piles of tapes of his own long, disbanded blues band. The tapes are badly recorded and the group sounds awful, but
he turns the volume up and mimes to his own inept solos. We smile and nod somewhat unconvincingly as the former trailblazers of the Carlisle blues boom, drone on and on.
However, seen through his alcoholic haze this translates as 'Can we please hear more of your tapes please as this sounds fantastic and mearly highlights our own shortcomings.' I am
gripped with a powerful feeling of impending doom. Just then, the front door bursts open dramatically. One of the sunbathing women enters the room and angrily demands an explanation
for this sudden invasion of strangers into her home. 'Oi, enough from you. They're friends of mine from London, and they've come to eat their lunch. Okay?' Comes the equally angry
reply. Always being sensitive to an atmosphere, I thank him politely for his hospitality, but suggest that this is probably not the best time for a visit. 'No,
no, no. You're staying here. Ignore the silly bitch.' Maybe if I close my eyes, when I open them, it will all have been a dream? I open my eyes to see the woman storm out and slam
the door, while her soon to be ex husband smiles and ushers me back to the couch. It's not a dream but a bloody nightmare. We all sit there quietly and uncomfortably. The woman
continues to enter and leave the room noisily, muttering audible insults about weirdoes with strange hair invading her home. I try once again to make our excuses and leave, but he
is both adamant and quite possibly dangerous. The little boy comes in to inform his dad that he is off out with his mum and her friends. 'Oh no you're bloody not!' insists his
father. The child now starts crying loudly. The food arrives. The child's mother enters the room screaming. 'You really have got a bloody nerve haven't you? Inviting these
filthy weirdoes into my house and have them lounging about my nice clean living room. They mess up my kitchen and then you have the gall to tell my son that he can't go out with his
own mother. It's a mad house, you're drunk and you make me sick, you bastard.' Summoning up every remaining articulate cell in his brain and body, he screws his face into
distorted anger, grasps her firmly by the collar of her flimsy shirt, puts his face close to hers and yells 'Fuck off!'. It was at this precise moment that Tam (Keyboards and resident eccentric) starts virtually choking, because the urge to giggle has become overwhelming.
The way you might in front of a Headmaster or a funeral or any other serious and singularly inappropriate moment. You know it's the very last thing you should do at a time like
this, but then that's just another one of the reasons why you can't stop yourself. The other significant problem with this particular form of stress management is that it's
unavoidably contagious. We are, of course, unable to eat the food that has just been put in front of us. We all just stare at the floor and try to avoid each other's eyes. I start
to bite my hand, vainly hoping to remember what an unpleasant and non-humorous thing pain is. I somehow manage to collect my self for a brief moment, whilst the rest of the band are
right on the edge of laughing out loud. I stand 'Look, you've been very hospitable but I really think that........ He turns to me and 'Look she's a stupid bitch, even you can see
that, and we're getting divorced anyway. It's my sodding house and..... Whilst he's delivering this diatribe to me, she slaps him hard across the face and runs upstairs. 'You
cow,' he says as he chases her up to the bedroom. The moment the door slams behind them we laugh uproariously, not to mention nervously. At that point there is an almighty crash
followed by screaming emanating from the upstairs bedroom. His wife comes stumbling down the stairs, blood streaming from her nose and screams at us to get out before she calls
the police. Appalled, yet relieved, we run out of the house and into the van. We drive off as fast as possible, leaving the strange domestic trauma behind us, making a mental note
to leave them off that evening's guest list. We sat in the park eating ice cream in the afternoon sunshine, barely able to comprehend the scenes that we had just witnessed. We then tried to console
ourselves with the knowledge that at least it would be a good gig. We brought the house down when we played there before, inspiring the local newspaper to exclaim (and I quote)
'When you've seen a gig as good as this you are allowed to do away with understatement. Ready? 64 Spoons are probably the tightest band I've ever seen in Carlisle!' Yes, it was
heady stuff. The gig was, of course, a complete disaster. We played okay, but the reception was luke warm to say the least. Numerous members of the crowd came up to us afterwards
and said stuff like' Whatever happened to that really good sax player you used to have?" by which they meant our trumpet player. In another inspired piece of career based
decision making, we had sacked Ted. We felt that the trumpet was a stupid, outmoded and ultimately unfashionable instrument to have in a pop group. Ted joined 'The Teardrop
Explodes'. It was at least 3:30 when the AA man turned up. He got on his knees and surveyed the trailing components left hanging under the white van. There was a
sideways shake of the head and a sharp intake of breath and he said 'It's knackered, the transmissions cracked.' Bloody brilliant! 'you have your current membership card?' No of
course we didn't. Lyndon had brought the old one. The two of them embarked on a pointless conversation were the AA man kept mentioning regulations and Lyndon kept assuring him that
he was fully paid up and all he had to do was check. Now I've always been brought up to respect a man in uniform but I was tired, angry, frustrated and could take no more. 'If
you're just going to stand there and regurgitate regulations and not help, then you'd better fuck off before someone punches you in the face.' Well, it had been particularly long
and tiring weekend. He disappeared fairly quickly. In similar mood I picked up the emergency phone and told the poor woman at the other end, that we had had enough and were going.
Once again she emphasised the illegality of such an action and assured me that the Police would be arriving shortly.
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